The Visual Culture of Violence in the Late Middle Ages
New York 2004
From the fourteenth century on, the artifacts of Western visual culture became increasingly violent. Destroyed faces, dissolved human shapes, devilish doppelgängers of the sacred: violence made real people nameless exemplars of formless, hideous horror. In Defaced, the historian Valentin Groebner provides a highly sophisticated historical, cultural, and political model for understanding how late-medieval images and narratives of “indescribable” violence functioned.
Early-modern images formed part of a complex, often contested, system of visualizing extreme violence, as Groebner reveals in a series of political, military, religious, sexual, and theatrical microhistories. Intended to convey the anguish of real pain and terror to spectators, violent visual representations made people see disfigured faces as mirrors of sexual deviance, invisible enemies as barbarian fiends, and soldiers as bloodthirsty conspirators wreaking havoc on nocturnal streets.
Yet not every spectator saw the same thing when viewing these terrifying images. Whom did one see when looking at an image of violence? What effect did such images have on spectators? How could one distinguish illegitimate violence that threatened and reversed the social order from the proper, “just,” and sanctioned use of force? Addressing these issues, Groebner not only calls into question contemporary habits of thinking about early-modern visual culture; he also pushes his readers to rethink how they look at images of brutality in a world of increasing violence.
"A shocking study that demystifies the significance of suffering in late-medieval society by placing representations of penitence and the Passion on a par with the political uses of brutality against the body. Iconoclastic yet, humane, Groebner's compelling essays uncover the full spectrum of acts and images that, no matter how grisly or grotesques, formed part of a semiotics of savagery that continues to inform representations of law and order and the practice of compulsion and constraint well into the modern era."
-Jeffrey Hamburger, Harvard University
This is an amazing study into signs and symbols worn by miscreants in the past and also displayed over entrances of public buildings. Severed ears and hacked-off hands, bodies broken on the wheel or beheaded, appear in court records and by the media of that time.... unrecognizability of the victim became commonplace.